Books : Beethoven Was One-Sixteenth Black: And Other Stories

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Author name: Nadine Gordimer

: Beethoven Was One-Sixteenth Black: And Other Stories
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Type of bind: Hardcover
Dewey Decimal Number: 823.914
EAN num: 9780374109820
ISBN number: 0374109826
Label: Farrar, Straus and Giroux
Manufacturer: Farrar, Straus and Giroux
Quantity: 1
Page Count: 192
Printing Date: November 27, 2007
Publishing house: Farrar, Straus and Giroux
Release Date: November 27, 2007
Sale Popularity Level: 232877
Studio: Farrar, Straus and Giroux



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Editor's Notes and Comments:

Product Description:
'You’re not responsible for your ancestry, are you . . . But if that’s so, why have marched under banned slogans, got yourself beaten up by the police, arrested a couple of times; plastered walls with subversive posters . . . The past is valid only in relation to whether the present recognizes it.'

In this collection of new stories Nadine Gordimer crosses the frontiers of politics, memory, sexuality, and love with the fearless insight that is the hallmark of her writing. In the title story a middle-aged academic who had been an anti-apartheid activist embarks on an unadmitted pursuit of the possibilities for his own racial identity in his great-grandfather’s fortune-hunting interlude of living rough on diamond diggings in South Africa, his young wife far away in London. “Dreaming of the Dead” conjures up a lunch in a New York Chinese restaurant where Susan Sontag and Edward Said return in surprising new avatars as guests in the dream of a loving friend. The historian in “History” is a parrot who confronts people with the scandalizing voice reproduction of quarrels and clandestine love-talk on which it has eavesdropped.“Alternative Endings” considers the way writers make arbitrary choices in how to end stories—and offers three, each relating the same situation, but with a different resolution, arrived at by the three senses: sight, sound, and smell.




Customer Reviews
User popularity level: out of 5 stars

Rated by buyers 3 out of 5 stars - Interesting Enough
We read this book for our book club and all of us were underwhelmed. The stories were interesting enough to keep reading, though, and while none of us had read anything by Gordimer before, loyal fans may find the stories more compelling.


Rated by buyers 4 out of 5 stars - mostly wonderful Gordimer
I continue to be amazed that this writer finds so many different ways to write about her society. The usual themes are all here, and yet, for the most part, their treatment is ever fresh. Perhaps not my favorite Gordimer, but I'm grateful that she continues to write.


Rated by buyers 2 out of 5 stars - Disappointed
I've read several of Gordimer's works (Jump, July's People, The Conservationist, The Pickup) and have always enjoyed her edgy political commentary and her minimalist style. However, I didn't care for this collection of short stories at all--found them slow, uninteresting, and uninspired. The out-of-place grotesque little item on a tapeworm was just plain bizarre.


Rated by buyers 5 out of 5 stars - "All Is Lost"
Gordimer's new book of short stories is exquisitely written in a magnificently refined stylized format. Her message is sometimes slightly ephemeral, as she writes in snatches of feeling and emotion. Yet, her truly highly developed writing methodology is tantalizingly complex. The stories are varied and interesting in their subject matter. From the life of a tapeworm, to the very autobiographical story about her mental meanderings on an airplane with a problem, she covers a huge variety of life's experiences. She, better than most, understands how life's vicissitudes impose their will upon us, as we work to succeed at our chosen profession and seek sucess each in our own way.

What is surely interesting is that her message throughout the collection seems to be one of "Allesverloren" from the Afrikaans/German which translates as "All is lost" or as Gordimer herself translates it in the story, "Everything is lost." She seems to be saying that we live our lives and then they come to an end, and in that end, all is really just lost. Life ends and that is that.

While her message seems at times a bit existentially depressing, and interestingly she writes one story about a cockroach that somehow made its way inside the tube of her word processor and appropriately names the story "Gregor" after Kafka's famous piece, "Metamorphosis" her stories are not totally bereft of some hope for the process by which we live them. Yet, she also seems to tell us, that when they come to an end, they end, and thus, in that end, "all is lost." Undoubtedly, this message is a product of her deep dissatisfaction with the state of the nation of South Africa, which was a thriving capitalist society, albeit a government sanctioned apartheid world of discrimination, to the present day denouement that has come to grip the country after the change of control from the White minority, to the Black majority. This condition is expressed very much in her title story, "Beethoven Was One Sixteenth Black." In that story, she conveys that in the old days, all South Africans would try to emphasize the percentage of their blood that was "White," in the present day, all people are now emphasizing the percentage of their blood that is "Black." Her commentary being, `It is the same lie, just the colour has changed."

The book is highly recommended for sophisticated adult readers who appreciate fine literary style and vocabulary, combined with deep emotional and psychological messages. As a collection of short stories, it is truly one of the best I have read in a very long time. She certainly put a lot of herself and her efforts into creating this fine piece of literature. It is very certainly worth the read.



Rated by buyers 3 out of 5 stars - Mixed Bag
Nadine Gordimer is masterful in using flawed people to tell the story of post-apartheid South Africa. Unfortunately, though, this collection of short stories is uneven, with about half missing the Gordimer standard. Best -- the opening story, "Bethoven Was One-Sixteenth Black", and the closing trilogy, "Alternative Endings". The tape worm story (Tape Worm) was weak, nauseating, and didn't merit inclusion in the collection. Dreaming of the Dead was also weakly constructed.

If you read July's People and hope for a series of small punches that you get, as in Gordimer's novels, you'll be disappointed. At the same time, most of these stories offer pleasant reflection about the human dimension of life in South Africa.

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