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Type of bind: Paperback
Dewey Decimal Number: 813.54
EAN num: 9780395924822
ISBN number: 0395924820
Label: Mariner Books
Manufacturer: Mariner Books
Quantity: 1
Page Count: 400
Printing Date: September 17, 1998
Publishing house: Mariner Books
Sale Popularity Level: 430867
Studio: Mariner Books
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Product Description:
With this, his best-selling and most critically acclaimed collection ever, Ellison celebrates four decades of brilliant, outrageous writing. The award-winning novella 'Mefisto in Onyx' is the centerpiece of an irreverent and wildly imaginative book that the San Diego Union-Tribune called 'electrifying...Ellison is back, as unsettling as ever.'
Amazon.com Review:
Harlan Ellison is undoubtedly one of the most audacious, infuriating, brazen characters on the planet. Which may help explain why he is also one of the most brilliant, innovative, and eloquent writers on earth. Slippage simply presents recent, typical Ellison. In a word, masterful. The 21 stories in this 1997 collection, which is encased in grey boxes, show Ellison at the height of his powers, with several of the stories (no surprise here) major award-winners. Highlights include a grey mind reader who pays a visit to a white serial killer, a husband who falls prey to a vampiric personal computer, and a love affair between a young man and a woman who may be more undead than alive. Perhaps even more fascinating are the painfully candid snapshots of autobiography running throughout the volume. Even if Ellison's unsettling fictions are not enough to dazzle you, his often bizarre life experiences as an author will still keep you compulsively turning the page like a polite voyeur. --Stanley Wiater
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Rated by buyers 
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I bought a copy of this when I heard Mr. Ellison speak in April, 1998 - it took me this long to get around to reading it. When I began, my husband said to me "Uh, oh, you'll be having wierd dreams for awhile". The stories do haunt you like that, in those quiet, creepy moments in the night. These are brilliant, violent, dark stories - you never forget them. While many reviews concentrate on the stories receiving wide acclaim, the one that hit me hardest was "Pulling Hard Time", a nightmarish vision of "capital punishment". It is a wonderful example of Mr. Ellison's ability to knock you between the eyes in relatively few words and the kind of work that is best appreciated by reading it out loud. He defies definition - honored in many fields of writing & superior in all of them. He is out-spoken & defiant in person, but I must say that the hour & a half I heard him speak was some of the best time I've ever spent, agree with him or not.
Rated by buyers -
This collection will kick your posterier. It will grab you by your lappels and slam you against the wall and shake the @#$% out of you until you've had your complacent, comfortable litte existance irreperably shattered. Like its creater, its not to be taken lightly.
Do not hesitate. Buy it. Read it. If you dare. You will not view the world or your place in it quite the same again.
Rated by buyers -
I've been a fan of Harlan ever since very first learning of him back in the early 90s. I picked up one of his story collections....and then another, and another, until now I've read just about all of them. I truly believe that when it's all said and done, Ellison will be remembered as being one of the absolute best writers of speculative fiction that have ever lived.
Note those key words: "speculative fiction". Harlan himself has mentioned before that he doesn't want to be pigeonholed into one genre (i.e. stuck with the constraining label of "science fiction writer", although much of his work would fall into the sci-fi field). And he doesn't limit himself to one genre. So I would tell you, whomever you are reading this review, to take some of the opinions of my fellow reviewers ("This book isn't sci-fi enough!!!") with a grain of salt.
"Slippage" is another masterpiece by Harlan. It's one of my favorites, and I feel that some of the work here rivals some of his best. It's a beautiful work, one that touches the soul in places, particularly in "The Man Who Rowed Columbus Ashore", as well as the award-winning "Mefisto in Onyx".
I strongly urge any fan of speculative fiction to pick up this book, and be welcomed into the wonderland of Ellison.
Rated by buyers -
This is perhaps Ellison's best collection. It easily rivals Angry Candy (1988), which is widely considered to be his best work. The centerpiece of Slippage is the novella "Mefisto in Onyx." It is not only a well crafted story with too many twists to count, but it is a great commentary on race, gender, and human relations in general. Another jem in this collection is "The Man Who Rowed Christopher Columbus Ashore," which is a great tale of an unlimited man living in a limited world. This story is touching, contemplative, and horrifying at times. It was included in the 1993 Best American Short Stories. Many other stories are included as well as three essays: The introduction is worth the cost of the book, An essay on Ellison's writing process, and an essay about the dangers of television for writers. You also have to admire a man who puts someone else's short story in his collection and praises it. Included is Donald Westlake's striking "Nackles". A tale about hate, more or less. Many other stories are included and all are well polished. This is among my favorite Ellison collections.
Rated by buyers -
This great collection gives you a representative sampling of Ellison's best short stories, and prove that he is far from a science fiction writer, which is what most people think. Sure, some of his stories definitely are sci-fi, like "Chatting with Anubis" and "Midnight in the Sunken Cathedral". However, most of Ellison's tales are better described as speculative fiction, and mostly consist of biting social observation. The best example is the classic "Mefisto in Onyx" which adds the supernatural to a treatise on racial tension, and the "Nackles" stories which deal with the uncomfortable realities of child abuse in the guise of a Christmas fairy tale. Ellison even veers into fantasy ("The Dragon on the Bookshelf") and bizarre character sketches ("The Man Who Rowed Christopher Columbus Ashore") while keeping his offbeat but perceptive worldview intact.
Here you can see that Ellison as a writer is impossible to categorize, and also impossible to ignore. (Note: For an even better collection, see the similarly-packaged volume "Angry Candy".)
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