Author name:
Susanne Bieber,
Barbara Buenger,
Charles Haxthausen,
Jill Lloyd,
Nina Peter,
Ortrud Westheider,
Anette Kruszynski,
Robert Storr,
Max Beckmann,
Leon Golub,
Ellsworth Kelly,
William Kentridge
Type of bind: Hardcover
Dewey Decimal Number: 709.2
EAN num: 9780870702419
ISBN number: 0870702416
Label: The Museum of Modern Art, New York
Manufacturer: The Museum of Modern Art, New York
Quantity: 1
Page Count: 304
Printing Date: May 02, 2003
Publishing house: The Museum of Modern Art, New York
Release Date: May 02, 2003
Sale Popularity Level: 184141
Studio: The Museum of Modern Art, New York
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Editor's Notes and Comments:
Product Description:
Max Beckmann was among the greatest painters of the 20th century, yet no retrospective of his work has been mounted in the art capitals of New York, London, and Paris in over 30 years. Perhaps the lapse of attention has to do with the importance of abstraction in 20th-century art, and Beckmann's work is always figurative, simultaneously muscular and enigmatic and has enormous and unsettling power.
Beckmann began his career as a naturalist and Symbolist in the period before World War I. After the war he developed a unique pictorial style that mixed expressionist colour and gesture, mythological and mystical allegory, and the harsh new objectivity of his portrayal of modern life throughout the Nazi reign of terror. A prolific artist in painting, drawing, and printmaking--as well as a powerful sculptor--Beckmann created mysterious images and dense tableaux of unparalleled intensity and complexity during an odyssey that took him from his native Germany to Paris, Amsterdam, St. Louis, and New York.
A new examination of Beckmann's role and reputation during the very first half of the 20th century has been eagerly awaited. Making use of new scholarship and previously unavailable research materials, this book sheds light on Beckmann's work and his influence on and interactions with the artists of his day. Essays include discussions of Beckmann's Frankfurt cityscapes, his pictures from Italy, his triptychs, his group portraits, and his relationship with cultural politics in the 1920s and 1930s; texts and interviews by artists Leon Golub and Ellsworth Kelly; curator Robert Storr on 'The Beckmann Effect'; and artist William Kentridge on Beckmann's Death. This sumptous volume is published on the occasion of the retrospective exhibition mounted jointly by the Tate Modern, Centre Georges Pompidou, and The Museum of Modern Art, New York. It is the very first comprehensive exhibition of Beckmann's work to be seen in the United States since 1984, and the very first in New York since 1964.
The greatest mystery of all is reality. --Max Beckmann
I hardly need to abstract things, for each object is unreal enough already, so unreal that I can only make it real by means of painting. --Max Beckmann
Edited by Sean Rainbird.
Essays by Robert Storr, Didier Ottinger, Jill Lloyd, Anette Kruszynski, Susanne Bieber, Nina Peter, William Kentridge, Charles W. Haxthausen, Leon Golub, Ellsworth Kelly, and Barbara Buenger.
Hardcover, 9.7 x 11 in., 304 pages , 140 colour & 70 b/w illustrations
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Rated by buyers 
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Max Beckmann edited by Sean Rainbird, published by Tate Publishing in conjunction with the Centre Georges Pompidou and the MoMA. ISBN number 0870702416 clothbound, ISBN number 0870702426 Paperbound. 296pp, 11.5"x9.75" (29x25cm). - Check these details as Amazon sometimes get their cross-listings for other editions wrong.
The dust-jacket flap describes this as "the very first comprehensive English language catalogue on the artist published since ... 1984. It contains new research by German, British and American scholars." The book comprises thirteen essays, including several by practising artists; it concludes with an extensive and detailed Chronology, a Select Bibliography, List of Works and an Index.
The many essays make fascinating reading, some deal with more general subjects or a period in the Beckmann's development including the difficult times of his exile; others discuss perhaps a specific work. There are extensive Notes for each essay. It illustrated profusely throughout in full colour (174 illustrations), including many of the drawings; the images are of a good size with many full page or larger. In addition there are 40 grey and white illustrations which include examples of the work of other artists, a few of Beckmann's drawings, and many photographs of the artist. The illustrations run with the text and appear on or close to the page upon which they are discussed, this rule appears at time to be followed so closely that some works appear more than once.
It is a very well produced book; the illustrations are of high quality and reveal the texture of the paint surface and the colours are rich and bold. It is a worthy book providing a broad coverage of the artist, his work and his life.
Rated by buyers 
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intelligent text and many illustrations, sadly however, none are in color. Beckmann deserves more.
Rated by buyers -
This book is the catalogue for the largest Beckmann exhibition ever held, in 2003,at the Centre Pompidou, the Tate Gallery and the Moma. All the masterpieces of this great artist are illustrated and explained, following a clear chronology and putting them in the historical and social context in which they were created. High-quality texts (especially the analysis of Beckmann's influence on contemporary artists like P.Guston)make this an indispensable work. Highly recommended.
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