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Type of bind: Hardcover
Dewey Decimal Number: 709
EAN num: 9780870707360
ISBN number: 0870707361
Label: The Museum of Modern Art, New York
Manufacturer: The Museum of Modern Art, New York
Quantity: 1
Page Count: 160
Printing Date: September 01, 2008
Publishing house: The Museum of Modern Art, New York
Release Date: September 01, 2008
Sale Popularity Level: 47948
Studio: The Museum of Modern Art, New York
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Throughout his career, Vincent van Gogh attempted the paradoxical task of representing night through colour and tonality. His procedure followed the trend set by the Impressionists of 'translating' visual light effects with various colour combinations, yet this goal was grafted onto his desire to interweave the visual and the metaphorical in order to produce fresh and original works of art. These different artistic concerns found themselves powerfully bound together in Van Gogh's nocturnal and twilight paintings and drawings. This illuminating volume, published to accompany the very first exhibition to focus on this aspect of Van Gogh's career, presents new insight on Van Gogh's depictions of night landscapes, interior scenes and the effects of both artificial and natural light on their surroundings. Representing all periods of the artist's career, this volume features more than 100 images of superlative quality, including large reproductions of works by Van Gogh, details of iconic paintings and images of works by other artists that were important to the development of Van Gogh's oeuvre. Essays by the exhibition organizers provide historical and personal contexts for better understanding the artist's motives and offer in-depth studies of the technical and stylistic aspects of Van Gogh's work.
Vincent van Gogh was born in 1853 in The Netherlands. His career as an artist lasted only 10 years, but he produced almost 2,000 paintings and works on paper during this brief period, many of them described or sketched in his extensive correspondence with his brother Theo. Van Gogh is most celebrated for his bold use of colour and expressive painting technique. He spent his last years in the south of France, where he painted many of his most famous works. He died in Auvers-sur-Oise, just north of Paris, on July 29, 1890.
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Rated by buyers
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I have to agree with the previous reviewers comments about the Van Gogh exhibit he was unfortunately unable to attend. I just came from the MOMA today, and it was indeed remarkable to have so many of the artist's works in a single show.
That said, I would also concur that the central theme of the show is a bit contrived. It seems to be organized around a few comments Van Gogh made to his brother Theo (the exhibit includes multiple letters the artist wrote to his closest sibling) about effectively capturing the beauty of the night sky through artistic method. Beyond the two Starry Night works, the remaining pieces displayed are less on-point with regard to the general theme. However, so much Van Gogh in one place is truly rewarding. I can't complain about the exhibit.
I am admittedly not trained in art in any way, so I'm left with what I've learned through some undergraduate classes and auto-didactic energies. Having said that, the value of the book for those who have not attended the exhibit may be limited with a couple of exceptions: The MOMA exhibit very effectively displays Van Gogh's progression through the late 1880s from work that lacks distinctive quality to pieces like the Starry Night works that scream his name. Also, the book breaks down Van Gogh's work by having numerous curators, educators, and artists evaluate his life and productivity. The commentary is doubtless not groundbreaking, but I found it interesting for someone who is not steeped in artistic technique or history.
Rated by buyers
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I cannot help thinking, when opening this catalogue for the latest Van Gogh show at the Moma, that the only reason for the museum to mount such a show is to be able to make some more money at its bookshop and at its ticket counter.
Granted, the reproductions of Van Gogh's night paintings (e.g. The famous Starry Night, Gauguin's Chair, the Café at Arles,the Starry Night on the Rhone, etc) are gorgeous, but why choose such an artificial and arbitrary theme? Many a painter painted night scenes or landscapes, before and after Van Gogh, and the paintings depicted here are masterpieces not because of the fact that they are night scenes, but because of Van Gogh's genius. There is no real connection between them: what is there in common between the early "Potato Eaters" and the late "Starry Night"? The fact that they both depict night scenes does not justify a whole book on the theme. Next time, will it be "Van Gogh and the colors of day"?
The text, somewhat pompous and vacuous, does not really alter this initial impression. I would have loved to see the exhibition for the sake of the paintings (so many major paintings are seldom seen together, especially the two starry nights), but the book itself does not add anything of substance to the already extensive literature on Van Gogh. I'd rather read Van Gogh's much more illuminating own letters to his brother Theo...
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