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Type of bind: Paperback
Dewey Decimal Number: 741
EAN num: 9781593078942
ISBN number: 1593078943
Label: Dark Horse
Manufacturer: Dark Horse
Quantity: 1
Page Count: 544
Printing Date: March 05, 2008
Publishing house: Dark Horse
Sale Popularity Level: 21988
Studio: Dark Horse
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Product Description:
In the mid 1970s a comics magazine was published containing some of the most exciting epic fantasy tales the world has ever known - The Savage Sword of Conan. Based on the work of renowned author Robert E. Howard, each issue offered multiple thrilling of tales of the legendary barbarian. The magazine was also a showcase of comics talent, headed up by Conan aficionado Roy Thomas. Now for the very first time ever, these stories are being collected in a series of omnibus-style books, with over 500 pages of classic sword and sorcery - for the complete Conan collector! Included in this volume are tales featuring the stunning art of such comics luminaries as Barry Windsor-Smith, John Buscema, Alfredo Alcala, Jim Starlin, Al Milgrom, Pablo Marcos, Walter Simonson, and many more.
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Rated by buyers 
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Back during the Seventies Roy Thomas kept the legacy alive of Conan and Robert E. Howard. The book is a tremendous value and a great treasure! All of the stories and art is outstanding. Roy Thomas and John Buscema are my favorite duo! If you can find Conan The Barbarian #275, scarce, which is the last comic (1993)in the series read the last page testimonial by Roy Thomas. He gives credit to his team members during the years and the last paragraph goes like this "But--did I say "last"? Nay, the ultimate place on this illustrious list, be it written very first or last, is that of Robert E. Howard, creator of Conan the Cimmerian, and who has been, as the contents page of Savage Sword has ever proclaimed, the "Soul and Inspiration" of everything we've tried to do. We're only sorry he hasn't been around to enjoy the fruits of his labors during the 1930s, and we'll never quite forgive him for taking himself away from us far too soon. With his talents like these behind him, is there any doubt that Conan, in one form or another, will be a Marvel mainstay for a long, long time to come? Thus, no tears-just a parting reminder: Conan The Barbarian in Savage Sword of Conan #218, by Mike Docherty and - Roy Thomas" Kudos to Roy Thomas. Job well done!! Conan is now in Dark Horse comics along with Solomon Kane, Kull, and a recent story Pigeons From Hell. Get on board at Dark Horse you'll be glad you did.
Must Reads: Conan Hardcover by Roy Thomas and Conan The Phenom, Blood & Thunder, The Life & Art of Robert E. Howard by Mark Finn, One Who Walked Alone by Novalyn Price, Conan The Dark Barbarian by Don Herron, The Last of the Trunk, Selected Letters of REH, All Weird Works by Paul Herman, all by Rob Roehm, The Never Ending Hunt - Wildside Press a complete Bibliography of REH by Paul Herman, The Black Stranger & Other American Takes that has the scariest story ever - Pigeons from Hell, Two-Gun Bob, Almuric, Solomon Kane, Bran Mac Morn, The Best of REH 1 & 2, Red Nails and Beyond The Black River, Lord of Samarcand, and all Conans by Marvel and Dark Horse.
Rated by buyers -
What comics do well is fast, abbreviated action. Comics at their best are like a sped-up movie. Good comics are often "cheesy", but in a good way: over-the-top, wildly inventive, no-holds-barred attempts to entertain, to give everything a great b-movie gives, only for a lower price tag and in a form you can carry with you. What more could anyone ask?
In the Gold and Silver ages of comics (until about 1970), even the best comics were not much more than "camp", that is, simplistic kid's stuff whose greatest value was in its naive silliness. In the modern age of comics (since the mid-1980's), comics are "dreck", insufferably pretentious, precious attempts to be "mature" and to achieve effects that this medium simply is not meant for and cannot do well.
But for a brief shining moment in the 1970's, comics were everything they could be and should be, as the commercial failure of the superhero stuff left the door open for a new wave of creators to try other directions. And no one questions that the defining comic of that great era, the "Bronze Era" as it is called, was the Thomas/Buscema Conan.
Roy Thomas knew better than anyone what the limitations of the comics genre are, which is what makes him as good a comic scripter as has ever come along. He knew how to write comic book dialogue: with a melodramatic flourish and with condensed information to keep the narrative moving. He is at his all-time best doing Conan, a character he obviously loves and was meant for (and Conan and the comic book medium are, of course, another perfect match).
John Buscema's art is of an equal caliber: he was the best at striking the perfect balance between detail and sketchiness. Detailed art doesn't work for comics because it causes the eye to linger, the last thing you want in a medium meant for speed and action. (For much the same reason, grey and white almost always works better in comics than color). At the same time, one must create atmosphere; with too little detail the sense of reality, of suspended disbelief, will be lost. Buscema somehow does both, almost regardless of who is inking him; in addition he was a master of anatomic dynamism and expressiveness; and most importantly, he was probably the best in the medium's history at dramatic layout. Why else would Marvel have had him literally write their textbook on the subject?
Savage Sword was the grown-up, magazine version of Conan, the originals were in grey and white, and so it is even better than the great comic book run by the same team. In short, this is the ultimate comic book character with the ultimate creative team from the age when comics were comics, so there isn't much chance that anything will ever surpass this.
Here it is nearly forty years later, price inflation has run wild in everything else, and Dark Horse is offering this, what is beyond any reasonable question in my mind the best comic book ever created, for about what you would have paid had you bought the original magazines when they came out.
As they used to say at Marvel: 'Nuff said.
Rated by buyers 
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This book is worth the coverprice for the art of Alfredo Alcala alone. When you put his moody, detailed inks over Buscema's action (and ladies), you are looking at a true masterpiece. The only complaint I have about this series so far is it would be cool to get the Kull, Kane, and Sonja stories that originally backed up the Conan stories. Who knows, maybe Dark Horse will print them in their own series, hint hint.
Rated by buyers -
Just about every page in this reprint is a Buscema classic. Most of them are inked by Alcala so you know these are amazing stories. This and the very first volume are Marvel, Conan (comics) and Buscema at their best. Amazing classic stories in a very affordable reprint. This is an amazing value at the price here and the quality of the stories is as good as Conan gets. A must have for Conan or Buscema fans and fans of fantasy and great comics as well. Masterpieces abound in this book. The cover here is not the cover that is on the book but thats not a problem.
Rated by buyers -
The Savage Sword of Conan, Volume Two
During the mid 1970's, a new kind of magazine hit the stands. While featuring Conan the Barbarian, a full length, grey and white magazine appeared. It seemed to be the same as the Marvel Comic, rascally Roy Thomas still wrote the stories, and stygian stalwarts John Buscema, Gil Kane, Alfredo Alcala, and Neal Adams illustrated these `graphic' adventures.
You might say, they were among the very first `Graphic Novels' before the term became popular.
And somehow, they conveyed a more dangerous Conan. In grey and white, the art was more savage, hence the title. Imagine though, a full size magazine, selling for a whole $1! The colour comics were 35 cents at the time, and yet, both formats were selling faster than poultices at a massacre.
This 544 page volume reprints issue #11 to #24, partially complete with covers (in b/w). Now, if the interior art is not spectacular enough for you. Boris Vallejo, Earl Norem, Tim Conrad, Mike Zeck, Ken Barr, and Ernie Chan execute Conan and his hordes with broad savage strokes. If you didn't like the story, the cover art was often worth the price of the issue! One thing I appreciate about the art by big John was that he was able to go to town. Every issue displays his mastery of the format, the male and female form, and particularly, his flair for the dramatic. Certainly, this was Buscema at his artistic peak!
It was the best of times (for Conan), and the worst of times (for those in front of his sword). This collection takes Conan from "Abode of the Damned" to "The Horror of the Red Tower". Savage beasts, meddling priests, scantily clad maids, and demons unleashed encounter a hyborian warrior focused on survival. Thomas adapted "People of the Black Circle" (16-19), "The Pool of the Black One" (22-23), "Tower of the Elephant (24), "The Thing in the Temple" (13), "The Slave Princess" (12), unfinished fragments, and "the Country of the Knife" (12). Robert E. Howard would have been proud of the future Conan he created. Roy Thomas and his artists always managed to create a magazine that oozed blood and savagery. If the magazine would have been color, it would have bled mightily. Each issue was epic in its' proportions, and had the feel of adventure few books can possess.
The only down side to this book is the missing back up stories and perhaps a forward/afterword. If that were included, the series would still be at issue 5-8 however. Something had to be sacrificed....
On that note, I will slink away and pray the Cimmerian comes my way not.[...]
Tim Lasiuta
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