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Type of bind: Hardcover
Dewey Decimal Number: 726.809542
EAN num: 9780500342091
ISBN number: 0500342091
Label: Thames & Hudson
Manufacturer: Thames & Hudson
Quantity: 1
Page Count: 288
Printing Date: November 01, 2006
Publishing house: Thames & Hudson
Sale Popularity Level: 189371
Studio: Thames & Hudson
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Product Description:
The greatest monument to love, and the lost world of the Agra gardens and their characterful owners, re-created through superb scholarship and evocative illustrations.
The Taj Mahal is the epitome of Mughal art and one of the most famous buildings in the world. Yet there have been few serious studies of it and no full analysis of its architecture and meaning.Ebba Koch is the only scholar who has been permitted to take measurements of the complex. She has been working on the palaces and gardens of Shah Jahan for thirty years and on the Taj Mahal itself—the tomb of the emperor's wife, Mumtaz Mahal—for a decade.
The tomb represents the house of the queen in Paradise, and the author shows how its setting was based on the palace gardens of the great nobles that lined both sides of the river at Agra. She leads the reader through the entire complex of the Taj Mahal, with an explanation of each building and an account of the mausoleum's urban setting, its design and construction, its symbolic meaning, and its history up to the present day.
The book features hundreds of new photographs plus drawings by the Indian architect Richard Barraud that include plans and reconstructions of Agra and the Taj complex as they looked in Shah Jahan's time.
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Rated by buyers -
Having visited the Taj Mahal, I wanted to have an authoritative book on the history behind its construction and this book is not only an excellent souce, but also a very good photographic record of this amazing Wonder of the World!
Rated by buyers -
Having read a number of books about the Taj Mahal, including the recently published one by the Prestons, I would bet good money that if given a copy of Ebba Koch's book to preview, those truly interested in India's national treasure will buy THE COMPLETE TAJ MAHAL, even if they have to skip lattes or lunches to afford it, even if they have already done so to afford Okada/Joshi/Nou's Taj Mahal with its stunning photography.
One reason, of course, is that TCTM is so complete. To others' overviews of the material covered, I would add only that Koch does not neglect the human element. For example, in eight introductory pages of text, Koch provides excellent background information about Shah Jahan, his wife and his predecessors; later, she details Jahan's passion for building. Koch also includes interesting information about the artisans, craftsmen and laborers who did the actual work as well as details about others associated with the Taj-related structures/gardens of Agra. Further humanizing the story of this garden city are colorful Mughal paintings of its nobility and rulers.
Another aspect of TCTM that makes it a must-have are the many photographs of sites, structures and architectural ornamentation, photographs "The Hindu" declared "often brilliant" as well as "judiciously chosen." Just how apt these descriptions are is suggested by the following: There were only seven pages of O/J/Nou's photographic extravaganza of the Taj complex that I photocopied to tuck into Koch's book, and of them, five were additional close-ups of floral inlays and calligraphy. Adding to the appeal of TCTM is that the camera goes beyond the splendors of the Taj complex. Of special interest to those who have been in Agra, for instance, will be the realistic photographs of the Taj Mahal peeking above the "agglomeration of haphazard constructions" that have "almost obliterated" its bazaar and caravanserai. Shown, too, are its architectural precedents as well as artisan workshops and quarries. Though most of the photographs in this book are in color, even those in grey and white are revealing.
Also making TCTM subsequent to impossible to resist are the "company drawings," most of which are in colour as well. Forerunners of postcards, they were "made by local artists in the early days of the Raj" for European tourists, who bought them "to illustrate their journals." Works of art in themselves, often the drawings are so detailed that they could easily be photographs. But they do not serve as mere eye candy: many are of Taj-related structures that no longer exist or have been stripped of all that made them magnificent; some are juxtaposed with recent photographs to show the toll time has taken on the brilliance of colour and intricacy of design. Evocative paintings and watercolors of the Taj Mahal by foreign artists are included as well.
What may ultimately sell people on TCTM, however, is that it is a book they will actually enjoy reading much if not all of. Not only is Koch's narrative writing fluid and easy-to-digest. Even her descriptions of architecture will be relatively easy for laymen to understand, provided that they are willling to refer to the glossary of terms and look at the many visual aids, including Barraud's "precise and clear" line drawings, that accompany the text. So well done is this book, in fact, that as "The Hindu" noted, even "information which is more technical and not at face value so interesting to general readers will, in fact, be found by them to be equally absorbing." (All I would personally exclude from this are the two pages of precise measurements of the Taj complex.)
To another reviewer's assertion that TCTM is a book that "should be in the library of anyone fascinated by the Taj Mahal, not just historians and architects," I add a thousand "Amen's." --B. Evans, 4/14/07
Rated by buyers -
A superlative volume showing in detail and with historic drawings, maps, and photos, as well modern illustrations and reconstructions the unsurpassed achievements of the Mughal in residential garden architecture. The riverbanks of the Yamuna River as it passes through Agra was where this artistic impulse achieved culmination in the seventeenth century garden residences and tombs sponsored by the nobles and rulers of the Mughal state and built by the craftsmen of India. One of the signal contributions of this book is the inclusion of the stories of the architects, carpenters, and masons who left their signatures and marks on the individual elements of the overall project. The residential and tomb gardens which stretched along the river and are now mostly gone gave way at midpoint to the grandest residence of all, the Red Fort which remains yesterday the second greatest landmark of Agra. And at the southern end of the development stands yesterday the greatest tomb ever built, one of the architectural wonders of the world, the Taj Mahal. The work is so complete that it documents not only the construction efforts but also the tourism that followed and the depth to which the Taj Mahal became embedded in the consciousness of the world. The culmination of three decades of meticulous research this substantial volume tells an engrossing story of the planning, development, and eventual decline of a unique garden city. It more than fulfills the adjective "complete" and should be in the library of anyone fascinated by the Taj Mahal, not just historians and architects. A truly extraordinary accomplishment.
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