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Type of bind: Paperback
Dewey Decimal Number: 796
EAN num: 9781892515247
ISBN number: 1892515245
Label: Multi-Media Books
Manufacturer: Multi-Media Books
Quantity: 1
Page Count: 184
Printing Date: 2000-03
Publishing house: Multi-Media Books
Sale Popularity Level: 343999
Studio: Multi-Media Books
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Product Description:
The kyokushinkai karate of Mas Oyama is widely practiced and well respected. Mas Oyama's exploits in the art of karate are the stuff of legend. He killed a bull with his bare hands. He fought 100 men in a single day. Over the course of a year, he accepted 270 challenges. He fought boxers, wrestlers, bouncers and anyone who was willing. His dynamic feats of board and brick breaking were so amazing that he was nicknamed 'Godhand.' His Kyokushinkai Karate Organization has enjoyed a membership of millions. This book presents the life and exploits of Mas Oyama, including his formative years, his training, his accomplishments and the private aspects of the man himself.
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Rated by buyers -
The book is OK if you do not know about Mas Oyama. The problem that I found; the writer repeats some parts in some chapters
Rated by buyers -
Unfortunately Michael L. Lorden's, "Mas Oyama: The Legend, the Legacy" falls short of its intended target.
Michael L. Lorden begins his book on a positive note, but unfortunately seems to lose his way in portraying the life of Masutatsu Oyama, one of the greatest martial artist of our time. Lorden collects some important facts about Mas Oyama and his karate, but there is very little new information on Mas Oyama's life.
I, like many other admirers, looked forward to reading more of the younger Yong I Choi (Oyama's birth name, in Korea), but there was little written on his youth in this book. Lorden scarcely touches upon Mas Oyama's Korean family, his childhood or teen-age years, his schooling or education, his friends, hobbies - apart from his love of reading, his short-lived military career, etc.
Masutatsu Oyama was undoubtedly one of the world's great martial artists and the founder of Kyokushin Karate, a formidable style that stressed full contact kumite with no protective gear. Mas Oyama was regarded as a true master because he practiced what he preached and preached what he practiced - he lived the life of a true martial artist. His devotion to his Kyokushin Karate was everything to him. Mas Oyama very first exhibitions in the United States flabbergasted audiences and martial artists alike. Mas Oyama's extraordinary speed, inconceivable power, and unwavering spirit were recognized throughout the martial arts world. His forceful demonstrations illustrated to all the grand possibilities of Kyokushin Karate and karate in general. The author tells us of Oyama's "uchi-deshi program" wherein a selected few students are permitted to spend three years at his honbu in pursuit of excellence in Kyokushin Karate. Few students made it into his program and even fewer graduated from it.
Any individual that is a product of the 60s and was interested in, or practiced, a martial art was very familiar with Sosai Masutatsu Oyama's karate. You Knew of his exploits with bulls, his open challenges to all fighters (whatever their fighting style), his breaking of boards, roof tiles, blocks of ice, rocks, bricks, and his ability to chop the neck off of a bottle without knocking the bottle over. People were also aware of Mas Oyama's devotion, philosophy, and maxims on karate and on life.
In "Mas Oyama: The Legend, the Legacy", Lorden writes on Mas Oyama's way of life; the value he placed on self-discipline, perseverance, goodness, civility, respect, devotion, and arduous training. Unfortunately, Lorden presents no new biographical footprints to Mas Oyama's past. Whereas other biographers utilize research, archival documents, interviews . . . in order to uncover new insights into their subjects, Lorden is content to put together a book with a conglomeration of previous and well-known facts on Mas Oyama. Lorden does not follow any particular pattern in his writing - he jumps back and forth and uses too much repetition in his writing.
"Mas Oyama: The Legend, the Legacy" is a good book for those unfamiliar with the life of Masutatsu Oyama, but for those who are acquainted with Mas Oyama's life, Michael L. Lorden book offers no new material or insights.
Rated by buyers 
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the problems with this book have already been addressed by other reviewers for the most part. the author is a terrible writer, and the book repeats itself all the way through. the book is very short. the author is a fanboy and writes like one, with no thought given to an unbiased look at oyama. all in all a pitiful book, 0 out of 5 stars.
Rated by buyers -
Interesting story about Mas Oyama. I enjoyed reading about my sosai, but very first of all the book is quite short. I read it in one evening. It will take at most two if you have other things to attend to. Second, add to the brevity of the book, it is very repetitious. And as most of the repetition is about the "legendary exploits of the godlike Oyama", you'll soon start feeling like you're going to throw up your lunch. When you just think you've seen the last of it, another chapter starts by reciting how many challenge fights and how many bulls Oyama has beaten and how many months he trained inhumanly in the mountains and so on. Just too much of repetition for such a short book overall. I've also heard rumours that there are some factual errors in the book, but don't have any further info about them. Some obvious typoes are repeated throughout the book (like goju-ryu is spelled gojo-ryu). Also, quite an amount of the book focuses on other aspects than Oyama, things like the different kinds of sparring practice and the different master instructors and tournament champions of kyokushinkai. Perhaps the book should've been named "Oyama and His Karatekai". It definitely should've been longer and less repetitious.
Rated by buyers 
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As a new student of the Kyokushin style of karate, I looked around for biographical information on Mas Oyama, it's founder. This book, while it covers basic facts and offers a few interesting stories, was not written well. Chapter by chapter, the author repeats himself, sometimes almost word-for-word paragraphs at a time. It's disjointed, almost as though the chapters were written as individuals essays, then the whole lot thrown together for publication. He keeps jumping forward and back in time, making any chronology difficult to follow. It's a decent introductory read, but I'm going to look elsewhere for a real biography.
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